Mural
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History
Murals of sorts date to Upper Paleolithic times such as the
paintings in the Chauvet Cave in Ardèche department
of southern France(around 30.000 BC). Many ancient murals
have survived in Egyptian tombs (around 3150 BC, the Minoan
palaces (Middle period III of the Neopalatial period, 1700-1600
BC) and in Pompeii(around 100 BC - AD 79).
In
modern times the term became more well-known with the Mexican
"muralista" art movement (Diego Rivera, David Siqueiros,
or José Orozco). There are many different styles and
techniques. The best-known is probably fresco, which uses
water-soluble paints with a damp lime wash, a rapid use of
the resulting mixture over a large surface, and often in parts
(but with a sense of the whole). The colors lighten as they
dry. The marouflage method has also been used for millennia.
Murals
today are painted in a variety of ways, using oil or water-based
media. The styles can vary from abstract to trompe-l'œil
(a French term for "fool" or "trick the eye").
Initiated by the works of mural artists like Graham Rust or
Rainer Maria Latzke in the 1980s, trompe-l'oeil painting has
experienced a renaissance in private and public buildings
in Europe. Today, the beauty of a wall mural has become much
more widely available with a technique whereby a painting
or photographic image is transferred to poster paper or canvas
which is then pasted to a wall surface (see wallpaper,Frescography)
to give the effect of either a hand-painted mural or realistic
scene.
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Technique
- Historical mural techniques
In the history of mural several methods have been used:
A
Fresco painting, from the Italian word affresco which derives
from the adjective fresco ("fresh"), describes a
method, where the paint is applied on plaster on walls or
ceilings. The Buon fresco technique consists of painting in
pigment mixed with water on a thin layer of wet, fresh, lime
mortar or plaster The pigment is then absorbed by the wet
plaster; after a number of hours, the plaster dries and reacts
with the air: it is this chemical reaction which fixes the
pigment particles in the plaster. After this the painting
stays for a long time up to centuries in fresh and brilliant
colors.
"A
Secco" painting is done on dry plaster (secco is "dry"
in Italian). The pigments thus require a binding medium, such
as egg (tempera), glue or oil to attach the pigment to the
wall.
"Mezzo-fresco",
is painted on nearly-dry plaster, which is defined by the
sixteenth-century author Ignazio Pozzo as “firm enough
not to take a thumb-print”, so that the pigment only
penetrates slightly into the plaster. By the end of the sixteenth
century this had largely displaced the buon fresco method,
and was used by painters such as Gianbattista Tiepolo or Michelangelo.
This technique had, in reduced form, the advantages of a secco
work.
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Material
In Greco-Roman times mostly encaustic colors ground in a molten
beeswax or resin binder and applied in a hot state was used.
Tempera
painting is one of the oldest known methods in mural painting,
In tempera the pigments are bind an albuminous medium such
as egg yolk or egg white and have been diluted in water.
In
16th-century Europe, oil painting on canvas came up as an
easier method for mural painting. The advantage was, that
the artwork could be completed in the artist’s studio
and later transported to its destination and there attached
to the wall or ceiling. Oil paint can be said to be the least
satisfactory medium for murals, because of its lack of brilliance
in colour. Also the pigments are yellowed by the binder or
are easier affected by atmospheric conditions. The canvas
itself is more subject to rapid deterioration then a plaster
underground.
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Modern mural techniques
CAM designed Frescography by Rainer Maria Latzke, digitally
printed on canvas
Nespresso billboard with George Clooney, Madrid (Spain)The
development of digital wide format printers offered new time
and cost effective production methods for printed murals and
became an important alternative to actual, hand-painted murals
in the last decade. Already existing murals can be photographed
and then be reproduced in near-to-original quality . The disadvantages
of pre-fabricated murals are that they are often mass produced
and lack the allure and exclusivity of an original artwork.
They are often not fitted to the individual wall sizes of
the client and their personal ideas or wishes can not be added
to the mural, unlike the Frescography technique, a digital
manufacturing method (CAM) invented by Rainer Maria Latzke.
Digital
techniques are also used in advertisement. A "wallscape"
is a large advertisement on or attached to the outside wall
of a building. Wallscapes can be painted directly on the wall
as a mural, or printed on vinyl and securely attached to the
wall in the manner of a billboard.
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Significance of murals
The San Bartolo mural
Jataka tales from the Ajanta caves, c. 200 BCE - 600 CEMurals
are important in that they bring art into the public sphere.
Due to the size, cost, and work involved in creating a mural,
muralists must often be commissioned by a sponsor. Often it
is the local government or a business, but many murals have
been paid for with grants of patronage. For artists, their
work gets a wide audience who otherwise might not set foot
in an art gallery. A city benefits by the beauty of a work
of art. Murals exist where people live and work and they can
add to their daily lives.
Murals
can be a relatively effective tool of social emancipation
or achieving a political goal. Murals have sometimes been
created against the law, or have been commissioned by local
bars and coffeeshops. Often, the visual effects are an enticement
to attract public attention to social issues. State-sponsored
public art expressions, particularly murals, are often used
by totalitarian regimes as a tool of mass-control and propaganda.
However, despite the propagandist character of that works,
some of them still have an artistic value.
World-famous
murals can be found in Mexico, New York, Philadelphia, Belfast,
Derry, Los Angeles, Nicaragua, Cuba and in India. They have
functioned as an important means of communication for members
of socially, ethnically and racially divided communities in
times of conflict. They also proved to be an effective tool
in establishing a dialogue and hence solving the cleavage
in the long run. The Indian state Kerala has exclusive murals.
These Kerala mural painting are on walls of Hindu temples.
They can be dated from 9th century CE.
The
San Bartolo murals of the Maya civilization in Guatemala,
are the oldest example of this art in Mesoamerica and are
dated at 300 BC.
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Murals and politics
Diego Rivera's mural depicting Mexico's history at the National
Palace in Mexico City
A republican mural by the Bogside Artists in Derry's Bogside,
depicting Bernadette Devlin McAliskey.
The Bardia Mural, photographed in the 1960s, prior to its
damage by defacement and the ravages of time.The famous Mexican
mural movement in the 1930s brought a new prominence to murals
as a social and political tool. Diego Rivera, José
Orozco and David Siqueiros were the most famous artists of
the movement. Between 1932 and 1940, Rivera also painted murals
in San Francisco, Detroit, and New York City. In 1933 he completed
a famous series of twenty-seven fresco panels entitled Detroit
Industry on the walls of an inner court at the Detroit Institute
of Arts. During the McCarthyism of the 1950s, a large sign
was placed in the courtyard defending the artistic merit of
the murals while attacking his politics as "detestable."
In
1948 the Colombian Government hosted the IX Pan-American Conference
to establish the Marshall plan for the Americas. The director
of the OEA and the Colombian government commissioned Master
Santiago Martinez Delgado, to paint a mural in the Colombian
congress building to commemorate the event. Martinez decided
to make it about the Cucuta Congress, and painted Bolivar
in front of Santander, making liberals upset; so, due to the
murder of Jorge Elieser Gaitan the mobs of el bogotazo tried
to burn the capitol, but the Colombian Army stopped them.
Years later, in the 1980s, with liberals in charge of the
congress, they passed a resolution to turn the whole chamber
in the Elliptic Room 90 degrees to put the main mural on the
side and commissioned Alejandro Obregon to paint a non-partisan
mural in the surrealist style.
Northern
Ireland contains some of the most famous political murals
in the world. Many murals serve as a public service announcement
of a special interest, notably for political topics such as
sex, sexual orientation, religion and intolerance. Almost
2,000 murals have been documented in Northern Ireland since
the 1970s. (See Northern Irish murals.) A not political, but
social related mural covers a wall in an old building, once
a prison, at the top of a cliff in Bardiyah, in Libya. It
was painted and signed by the artist on April 1942, weeks
before his death on the first day of the First Battle of El
Alamein. Known as the Bardia Mural, it was created by English
artist, Private John Frederick Brill.
In
1976 East Germany begun to erect a wall between East and West
Berlin, which became famous as the Berlin Wall. While on the
East Berlin side painting was not allowed, artists painted
on the Western side of the Wall from the 80s until the fall
of the Wall in 1989.
Many
unknown but also known artists such as Thierry Noir and Keith
Haring painted on the Wall, the “World's longest canvas”.
The sometimes detailed artwork were often painted over within
hours or days. On the Western side the Wall was not protected,
so everybody could paint on the Wall. After the fall of the
Berlin Wall in 1989 the Eastern side of the Wall became also
a popular “canvas” for many mural and graffiti
artists.
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Murals in contemporary Interior Design
Forest mural in private home, England
Mural in the library of Chateau Thal, Kettenis, Belgium by
Rainer Maria Latzke, 1987. Many people like to express their
individuality by commissioning an artist to paint a mural
in their home, this is not an activity exclusively for owners
of large houses. A mural artist is only limited by the fee
and therefore the time spent on the painting; dictating the
level of detail; a simple mural can be added to the smallest
of walls.
Private
commissions can be for dining rooms, bathrooms, living rooms
or, as is often the case- children's bedrooms. A child's room
can be transformed into the 'fantasy world' of a forest or
racing track, encouraging imaginative play and an awareness
of art.
From
the 1980´s onwards, illusionary wall painting has been
experiencing a renaissance in private homes. The reason for
this revival in contemporary Interior design could, in some
cases be attributed to the reduction in living space for the
individual. Faux architectural features as well as natural
scenery and views can have the effect of 'opening out' the
walls. Densely built up areas of housing may also contribute
to people's feelings of being cut off from nature in its free
form. A mural commission may be an attempt by some people
to re-establish a balance with nature.
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Tile mural
Tile murals are typically found in countries around the Mediterranean
Sea such as Morocco, Tunisia and Arabic countries, in Portugal
and Spain mostly in a often monochrom-colored form, the Azulejo.
The
Azulejo refers to a typical form of Portuguese or Spanish
painted, tin-glazed, ceramic tilework. They have become a
typical aspect of Portuguese culture, manifesting without
interruption during five centuries the consecutive trends
in art. Azulejos can be found inside and outside churches,
palaces, ordinary houses and even train stations or subway
stations. They were not only used as an ornamental art form,
but also had a specific functional capacity like temperature
control at homes. Many azulejos chronicle major historical
and cultural aspects of Portuguese history.
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Famous muralists
Carlos
Almaraz
Judy Baca
Arnold Belkin
Freydoon Rassouli
Thomas Hart Benton
John T. Biggers
Edwin Howland Blashfield
Giotto di Bondone
Paul Cadmus
Eleanor Coen
John Steuart Curry
Robert Dafford
Santiago Martinez Delgado
Piero della Francesca
Richard Haas
Albert Henry Krehbiel
Rainer Maria Latzke
Tom Lea
John Anton Mallin
Andrea Mantegna
Knox Martin
Peter Max
Michelangelo
Claude Monet
Roberto Montenegro
Aarón Piña Mora
Juan O'Gorman
José Clemente Orozco
Diego Rivera
Archie Rand
Raphael
Graham Rust
Conrad Schmitt
David Alfaro Siqueiros
Frank Stella
Rufino Tamayo
Titian
Alton Tobey
Kent Twitchell
Leonardo da Vinci
Henry Oliver Walker
Lucia Wiley
Robert Wyland
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